Making a Belt

Working with leather isn't that hard. That is, if you have all the necessary tools and someone with experience to help you along. I sometimes let friends make something simple like a belt, a cardholder or an iPad case, like my friend Rune did. Some days ago I helped my friend, Anders, make a belt for himself, as his old belt was starting to look a bit shabby. We went for a nice, thick, vegetable tanned leather from England and a solid brass buckle (also from England). Sometimes it looks nice when you attach the belt buckle with rivets, but the proper way of doing this is by handsewing, so that is what we did using a thick (6 ply) waxed linen thread.

Someone asked, how you use a stitching clam - I hope this answers the question.

Thick, waxed linen thread is the way to go.

The brass buckles look good, when they're new and/or polished, but they also look amazing, when they tarnish.

Holes for sewing are prepunched using a pricking iron.

The final part of making anything in leather is always the burnishing, which is best done by hand. The burnish is done using a bit of water, some thick canvas and then you just rub it vigorously creating some friction, which keeps the leather fibres down and creates a nice, smooth edge. You then repeat it using beeswax or possibly gum tragacanth. We used beeswax this time.  

Here's the final result

Notice the nice grain structure of this leather. Very pronounced, deep, rustic, defined - I could go on.

I never get tired of brass, which is why, I'm almost exclusively working with brass hardware.

Pretty flawless stitching.

  
A small detail taken from the equestrian world, where you number each hole to adjust the height.

Lastly - the burnish. A tell-tale sign of true craftsmanship. That being said I do also appreciate a clean cut raw edge.

 I might be making either picture or video tutorial on how to make a belt or something else, if someone would like to see this of course. 

If you would like to see, what gets made in the workshop, I suggest, that you join After the Denim's Facebook group, where I'll regularly put up (terrible) iPhone pictures of, what I'm working on at that given time.

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Crafts - Market Tote

It seemed like a natural progression to start making a bag out of leather. I've made a lot of smaller accessories for some time now, but never anything as big as a bag. Mostly due to the fact that I don't own a working leather sewing machine and only sew by hand, which means, that besides cutting the leather and constructing the bag, I would also have to make a couple of thousands stitches by hand - one at the time. As you probably can imagine this is a rather time consuming project. 

However it seemed like a perfect opportunity when a friend of mine came by some time ago and started talking about the need of a "big leather bag", which I turned into "huge leather tote" in my head. As I finally had a couple of days off, I jumped at the opportunity and made that "huge leather tote", that she requested.

There is nothing revolutionary about the design, and that was never the intention. However I think I managed to add some details, that makes the bag stand apart. First of all it's completely hand sewn and besides that the handles are folded and sewn together and it's not just riveted unto the bag, but both sewn and riveted and it has an internal pocket, which is left open for easy access.

As I have tried to illustrate with these pictures, it can contain quite a lot of stuff, and will definitely hold enough stuff for a weekend trip. It was constructed as a one piece construction for durability and simplicity.

The interior is very simple. One pocket without any closing mechanism for easy access.

I couldn't resist the urge to put my name on bag. As you can't punch the football leather, I had to put in a small tag of the same vegetable tanned leather as used on the handles.

As this was a bag intended for a very special person I wanted to monogram it. I decided to use some mil-spec brass stencils, that I had bought from the US some time ago, but never really used before. Of course it's rather reminiscent of naval stencils on marine army wear, but it makes sense in this case, if you happen to know my friend, so I really like this personal detail.

Stitching came out quite nicely. I used a braided nylon thread from Barbour Coats. The thread was only glazed, so I waxed the thread myself using beeswax and paraffin. A rather nice, but also time-consuming, procedure. Unfortunately I can really tell that I need to work on my edge coating skills.

The handles caused some cussing, as it really took some effort to get them right, but in the end they are also, what I like the most about the bag.

There is no padding/backing added to them, but they are made of a 3/4 mm thick vegetable tanned leather, so if they were to collapse a bit, that wouldn't matter. I wanted them to soften with wear making them more comfortable. To add to the comfort I rounded all edges and burnished them with beeswax.

For extra durability I decided to secure the handles using both rivets and stitching.

From experience I know, that solid copper rivets age really well and on top of that they go really well with natural vegetable tanned leather. Perfect combination.

Burnished edges

All the copper rivets were backed using the same leather as the body.

I just can't enough of that grain and from working with this leather I've been thinking about finding some nice pebble grain leather, like the one that a lot of shoemakers use. But I'm yet to find a good source for it.

Most of all I can't wait to see the bag in some time. I put a lot of effort into to this bag and without sounding  like a big cliché I also managed to put in some blood, sweat and tears. I really hope, that it wears well and that it will give the owner a lot of pleasure in the years to come.

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